Long before digital simulations – including reverb pedals – became sophisticated enough to blur the lines between actual and artificial ambience, studio engineers and electric guitarists were obliged ...
ThePedalZone's Stefan Fast explains early-chain and -end-of-chain reverb in the first of his Tonal Teamwork series When you purchase through links on our site, we may earn an affiliate commission.
MusicRadar basics is brought to you in association with Boss. Don't forget you can link up with Boss UK on Facebook and Twitter. Imagine how your guitar might sound cranked up in a cathedral, as ...
When you buy through our links, we may earn an affiliate commission. Hey there, fellow music lover! Are you on a quest for the best reverb pedals to add that extra magic to your guitar sound? Well, ...
Launched in October 2020, JHS Pedals’ 3 Series proved an immediate hit among beginners and budget-conscious players, with its Overdrive, Distortion, Fuzz, Compressor, Chorus, Delay and Reverb guitar ...
Canadian guitar effects ace Empress is known for its superlative stompboxes - including the Superdelay, Nebulus and MultiDrive - and now it's added a similarly multifaceted reverb pedal to its stellar ...
Placing the instruments and voices of a mix into a consistent space does not preclude us from adding additional reverbs to specific parts and tracks. This is particularly true when a reverb is being ...
Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is ...
Universal Audio has just unveiled a quartet of guitar effects pedals that are slimmed-down, more compact, and yet still present players with top-quality sounds featuring UAFX’s superlative processing ...
A couple of years ago, popular YouTube guitar nerd Paul Davids visited a nuclear power station in search of the ultimate guitar reverb. Now an effects pedal inspired by these sonic discoveries has ...
In country music, effects aren’t thought of as the focal point of the tone. If 90% of it comes from the playing, then 4% is from the guitar, 4% is from the amp, and the last 2% comes from the pedals.
Without wanting a multi-fx pedal, many players are still in a constant search for ways to save pedalboard real estate. As well as using dedicated mini pedals, a common way of maximising the space on ...