On Jan. 10, the Pensacola Symphony Orchestra delivered another in the ever-popular “Beethoven and Blue Jeans” series. A creation of Music Director Peter Rubardt, the January concerts bring brilliance ...

The Orchestra Now performs Debussy's Prelude to the Afternoon of a Faun for its final New York City concert this season, at Jazz at Lincoln Center's Rose Theater on Sunday, May 19 at 3 PM. The concert ...

Then came a stroke of luck. Free got into conversation with an American pianist, who was over recording the Gershwin concerto with the RSNO and was an ardent enthusiast of Shilkret's music. "He ...

If you’ve never heard of a bass trombone, you’re probably not alone. It usually makes its home in the back row of the orchestra with the other low brass instruments, rarely getting any solo time. “The ...

Dai Fujikura’s elusive trombone concerto was given its UK premiere by Peter Moore, who made its colours and textures sing; a persuasive but perhaps too sunny reading of Mahler’s first symphony ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick The jazz composer wrote a new concerto for the New York Philharmonic’s principal trombonist, Joseph Alessi, but died before its U.S.

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Thursday night's Dallas Symphony Orchestra concert may have had the highest average decibel count of any recent classical performance in the area. Most of that was built into the music, but there was ...

Chicago Symphony Orchestra bass trombone Charles Vernon didn’t think small when he asked composer James Stephenson to write a concerto for him. “I said: ‘I want something that’s this wonderful piece, ...

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