Access points: the first-ever documentary showcase held within a U.S. prison included a slate of competing films judged by an ...

When the cast of Robert Zemeckis’s Here was announced two years ago, Gump-heads rejoiced. Three decades after Forrest Gump ...

There is something oddly indeterminate about the Korean title of Hong Sangsoo’s 31st feature, whose English translation is A ...

Scenes from the class struggle: a new repertory series at MoMA asks its viewers to connect Portugal’s political revolution to ...

Time and time again: recent works by Elisabeth Subrin and Zia Anger join a lineage of women’s films that invite us to witness ...

This article appeared in the November 8, 2024 edition of The Film Comment Letter, our free weekly newsletter featuring original film criticism and writing. Sign up for the Letter here. Guns (Robert ...

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Here at Film Comment, we live by Serge Daney’s motto: “Cinephilia is not only a particular relationship to cinema, it is a relationship to the world through cinema.” We love moving images because they ...

To make a movie is to appropriate—either that which is before the camera or something already filmed. These days, I prefer the latter. Terrific compilation docs shown in festivals this past year ...