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From Harvard Business Review editor Kevin Evers, the book details the 'business and creative decisions that have defined each phase of Swift's career' ...
The country star says the orchestral 'Evangeline vs. the Machine' is related to his gospel-rooted performance at Stagecoach ...
The time has come for Lorde’s ferociously dedicated fans to be fed, because the Grammy winner is officially dropping her ...
April showers bring May flowers — and this month, musical acts are sprouting up all over the Lehigh Valley. Electronic rock sounds from Orgy, shock rock industrial glam from Marilyn Manson, folk tunes ...
“It was a lifestyle that was different, exciting,” says formerdrummer Garry Maloney, who joined the band a year before the release of Hear Nothing ... the album’s themes are as relevant ...
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Daniel Regha’s review berates Davido’s ‘5ive’ album, fans react: "It offers nothing new"Daniel Regha wrote: ""5ive" the album review: -"With You" ft. Omah Lay is a fumbled collab, literally nothing to speak of ... Regha questioned the album’s cover art and creativity, sparking ...
Talking about his forthcoming album, his first in four years, James McMurtry is as no-nonsense as his songs. “It happened like all my records happened,” he said in a statement. “It’d been ...
Young Thug’s first album since being released from prison ... and revealed alternate cover art for the project. Explore Explore Young Thug See latest videos, charts and news See latest videos ...
Hear a very brief teaser of “Let’s Ride Away” below and see the tracklist and album cover for Avicii Forever. The compilation follows a series of recent Avicii projects created collaboration ...
It is the same look featured on her album cover. On namesake track “Something Beautiful,” Cyrus introduces a sonic shift midway, creating a love song with an experimental-rock finish.
Well, unless we consider visual representations of a ‘fifth Beatle’. Recall the album art for Abbey Road. It’s one of the most recognisable images, especially for audiophiles, of all time. It’s become ...
Although Martin remained defiantly proud of the album, he was less enthusiastic when looking at the original cover, with artist Klaus Voorman recalling, “Paul looked closer and said, ‘Hey that’s me ...
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