Steven Spielberg is known for his use of the “oner”—a long take that unfolds without cuts—where instead of relying on quick edits to guide your focus, he choreographs camera movement and actor blocking to direct your attention naturally within a single shot. The top shot is from Catch Me If You Can (2002), an example of this approach. Spielberg keeps all the key elements in frame, trusting the audience to look where it matters. The bottom shot, which is edited, exaggerates an alternate style—one